• Chinua Achebe
• Literature
• Things Fall Apart

CHINUA ACHEBE: EARTHDAY

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  CapitalTimesNews / 3 months
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• 8 min read

Chinua Achebe, born Albert Chinụalụmọgụ Achebe on November 16, 1930, in Ogidi, Nigeria, was a pioneering Nigerian novelist, poet, essayist, and critic widely regarded as the father of modern African literature. His works, particularly his debut novel Things Fall Apart (1958), revolutionized the portrayal of African societies in literature by countering colonial stereotypes and drawing on Igbo oral traditions to explore themes of cultural clash, colonialism, identity, and postcolonial disillusionment. Achebe’s writing in English allowed him to reach a global audience while critiquing Western narratives about Africa, influencing generations of writers and establishing African literature as a vital force in world letters. Over his career, he published five novels, numerous essays, poetry collections, short stories, and children’s books, often blending Igbo proverbs, folklore, and history with sharp social commentary. Achebe was born into a family that embodied the tensions between traditional Igbo culture and Christianity in colonial Nigeria. His father, Isaiah Okafo Achebe, was a teacher and evangelist for the Church Missionary Society (CMS), having converted from the indigenous Odinani religion, while his mother, Janet Anaenechi Iloegbunam, came from a family of vegetable farmers and church leaders. Raised in Ogidi, a town in the Igbo heartland, Achebe was the fifth of six children in a household that respected ancestral traditions despite its Christian faith. Storytelling played a central role in his upbringing, with his mother and older sister sharing Igbo folktales, which later informed his narrative style. He began formal education at St. Philip’s Central School in Ogidi in 1936, excelling in reading and handwriting, and attended Sunday school where he encountered biblical stories alongside Igbo customs. In 1944, Achebe enrolled at the prestigious Government College in Umuahia, a secondary school modeled on British public schools, where he developed a love for literature and debated Christian doctrines. A classmate was the future poet Christopher Okigbo, who would become a close friend. In 1948, he won a scholarship to study medicine at University College, Ibadan (now the University of Ibadan), Nigeria’s first university and an affiliate of the University of London. However, disillusioned by Western literature’s derogatory depictions of Africans such as in Joseph Conrad’s Heart of Darkness and Joyce Cary’s Mister Johnson, he switched to English, history, and theology, forfeiting his medical scholarship but securing family support for a new bursary. During his university years (1948–1953), Achebe contributed to the student magazine The University Herald, serving as editor in 1951–1952 and publishing early short stories like “Polar Undergraduate” (1950), “In a Village Church” (1951), and “Dead Men’s Path” (1953), which explored conflicts between tradition and modernity. He graduated with a second-class honors degree in 1953. After graduation, Achebe briefly taught English at the Merchants of Light School in Oba, where he encouraged students to read widely and question colonial narratives. In 1954, he joined the Nigerian Broadcasting Service (NBS, later the Nigerian Broadcasting Corporation) in Lagos as a talks producer, honing his skills in dialogue and narrative that would benefit his fiction. While at NBS, he drafted his first novel, inspired by the urban migration he observed in Lagos and events like Queen Elizabeth II’s 1956 visit to Nigeria. In 1956, he attended a BBC staff training course in London, where he submitted the manuscript for Things Fall Apart to Heinemann publishers. The novel’s success in 1958 led to his promotion at NBS, and by 1961, he was directing external broadcasting, helping establish the Voice of Nigeria during the country’s independence. Achebe also played a key role in promoting African literature. In 1962, he became the founding editor of Heinemann’s African Writers Series, which published works by emerging authors like Ngũgĩ wa Thiong’o, Flora Nwapa, and Nadine Gordimer, democratizing African voices in global publishing. He cofounded Citadel Press in Enugu with poet Christopher Okigbo in 1967. Achebe’s career intersected with Nigeria’s turbulent politics. His 1966 novel A Man of the People, a satire on postcolonial corruption, eerily foreshadowed a military coup that occurred shortly after its publication, leading to accusations of his involvement in a conspiracy. When the Igbo-dominated Eastern Region seceded as the Republic of Biafra in 1967, sparking the Nigerian Civil War (1967–1970), Achebe supported the cause, serving as a roving ambassador and drafting key documents like the Ahiara Declaration (1969), which outlined principles for a post-war society. The war devastated him personally: his home was bombed, his friend Okigbo was killed, and his family fled multiple times, with his wife suffering a miscarriage amid the chaos. Achebe toured the U.S. and Europe to raise awareness, lecturing with fellow writers Gabriel Okara and Cyprian Ekwensi. Post-war, he channeled his experiences into poetry and essays, critiquing the conflict’s humanitarian toll. In the 1970s and 1980s, Achebe remained politically active, serving as deputy national president of the People’s Redemption Party and publishing The Trouble with Nigeria (1983), a scathing critique of corruption and poor leadership in his homeland. He twice declined Nigeria’s national honor, the Commander of the Federal Republic, in 2004 and 2011, citing the country’s political instability and governance failures. Major Works Achebe’s oeuvre spans genres, but his novels form the core of his legacy, often called the “African Trilogy” for the first three. His writing style incorporates Igbo proverbs, oral storytelling, and a balanced portrayal of pre-colonial African societies, challenging Eurocentric views. -Things Fall Apart 1958: Follows Okonkwo, a proud Igbo wrestler and leader, whose life unravels with the arrival of British colonialists and missionaries. -No Longer at Ease 1960 : Centers on Obi Okonkwo, Okonkwo’s grandson, who returns from England educated but succumbs to corruption in postcolonial Lagos. -Arrow of God 1964 : Depicts Ezeulu, a chief priest, navigating British colonial administration and internal village rivalries. -A Man of the People 1966: A satirical take on a corrupt minister in a fictional African nation, ending in a coup. -Anthills of the Savannah| 1987- Explores a military dictatorship in the fictional Kangan, through the eyes of intellectuals. Achebe’s essays are foundational to postcolonial theory. Key collections include: -Morning Yet on Creation Day (1975): Discusses African literature’s